Para una antropología visual del turismo: El uso crítico de metodologías y materiales visuales

Humberto Martins

doi:10.25145/j.pasos.2016.14.034

Autores

Humberto Martins UTAD-CETRAD; CRIA-ISCTE

DOI:

https://doi.org/10.25145/j.pasos.2016.14.034

Palavras-chave:

antropologia visual, tourism, digital culture, subjectivity

Resumo

Este artículo discute los usos de los medios visuales en una antropología que estudia el turismo. El texto reflexiona sobre la proliferación de medios y herramientas de grabación, producción y distribución de imágenes visuales tecnologizadas y propone un enfoque que considera las condiciones de producción, los significados de las imágenes y sus diferentes recepciones. También se aborda la "era digital", en particular su potencial transformador de recepción, producción y difusión, junto con las nuevas formas de autoría, la velocidad de circulación de los contenidos y la revisión de las fronteras entre lo real y lo irreal, el documental y la ficción, la ciencia y el arte. El trasfondo de mi argumento es el de un mundo que, facilitando y estimulando el ocio, la movilidad y la contemplación y el consumo de lo diferente y lo bello (paisaje, patrimonio, monumental) no deja de producir una "brecha" de imágenes (digitales); es decir, accesos desiguales a las herramientas de representación visual de los "otros", de sí mismos y del mundo.

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